two people hugging, a scientist looking at a test tube, and a person smiling

Photo Color Treatments

Effects such as color overlays and monotone treatments add depth to a design when balanced with our authentic photography. This section includes guidance on creating color overlays and monotone images.

Color Overlays

For print, when placing color over images in Photoshop, first convert the image to grayscale. Then convert the image back to color and place a solid color over the image. Use the Overlay effect in Photoshop at 100% on the solid color. Create another solid color layer on top of the Overlay layer at an opacity of 60%. This layering of color helps ensure our brand colors stay accurate when placed over an image.

a close-up color photo of a pine cone
Full color photo of a pinecone
close-up greyscale photo of a pine cone
Pinecone photo converted to grayscale
close-up photo of a pine cone with yellow overlay
Pinecone photo with UO Yellow color applied
close-up photo of a pine cone with green overlay
Pinecone photo with UO Green color applied

Color Overlays — Do’s and Don’ts

Do not place brand colors over images of people. Brand colors may be placed over buildings, nature, or textures. For images of people, use a grayscale or full-color photo treatment. The Duck may have UO brand colors applied.

a person smiling
Do Use: Full-color photo of a person/people, as shown above
a greyscale photo of a person smiling
Do Use: Grayscale color photo of a person/people, as shown above
a crossed out photo of a person smiling with a yellow overlay
Do Not Use: Color overlays over a person/people (UO Yellow), as shown above
a crossed out photo of a person smiling with a green overlay
Do Not Use: Color overlays over a person/people (UO Green), as shown above

Monotone Images

Monotone images always have the background color match the highlights to create a duotone effect. Grayscale images do not need to have highlights match the background.

To do this, do not create monotones using the duotone image settings in Photoshop, as this will automatically convert highlights to white. Create your monotone by selecting a Channel layer.

First, convert the image to Grayscale and adjust levels until you get the desired amount of contrast in the image. Convert back to your preferred color profile (CMYK or RGB). Select the main Channel labeled “RGB” or “CMYK” using Command + Click (Mac) or Control + Click (PC). Go into the “Select” menu and select “Inverse.” Apply a solid color using the current selection. Hide the original image layer. You may now place any UO Brand color beneath the new layer that was just created. See example grayscale and monotone treatments below.

the Duck in greyscale on a yellow background
Grayscale image on UO Yellow background
the Duck in monotone green on a white background
UO Green monotone image on white background
the Duck in monotone green with a yellow background
UO Green monotone image on UO Yellow background

Monotone Images — Do’s and Don’ts

Monotone images follow the same rules as color overlays in that color monotones cannot be used for images of people. For people, use grayscale images. Monotone images can use any of the UO brand colors, so long as UO Yellow and UO Green are the dominant color elements in the rest of the design.

a greyscale image of a person smiling with a green background
Do Use: Grayscale image of a person/people on UO branded color backgrounds, as pictured above
a crossed out photo of a person smiling in green monotone with a white background
Do Not Use: Monotone images of a person/people in UO colors on neutral backgrounds, as pictured above
a crossed out photo of a person smiling in green monotone with a yellow background
Do Not Use: Monotone images of a person/people in UO colors on UO branded color backgrounds, as pictured above

Selective Color Overlay

Additionally, small areas of UO colors can be added to grayscale images, as long the colors are minimal and not applied over faces. Additionally, ensure these areas of color do not obscure or change the intended color of branded merchandise or logos.

a person smiling in greyscale with yellow shift

Texture

Monotone and color overlay images have a subtle Photoshop Noise effect applied. Noise settings are: Gaussian treatment, Monochromatic. Noise amount is variable depending on the size of the image.

close-up view of pinecone with green overlay and texture
the Duck in green montone with a yellow background and texture

As images scale, keep this in mind: The Noise effect is intended to be a subtle textural element and may need to be adjusted as images scale. Always apply the Noise effect when the image is at 100% size.

Back to Top